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An Entity of Type : dbo:Album, within Data Space : live.dbpedia.org associated with source document(s)
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'68 is a compilation album by Robert Wyatt. It is composed of previously unreleased demos Wyatt recorded in 1968 at the end of a tour Soft Machine did with the Jimi Hendrix Experience in the United States. It was released by Cuneiform Records in 2013. After the tour, the Experience had given Wyatt access to their recording studios after hours, and he recorded these demos there. Hendrix played bass guitar on one of the recordings, "Slow Walkin' Talk". Some of the tracks were later reworked and used on several Soft Machine and Matching Mole albums.

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rdfs:label
  • '68 (album)
rdfs:comment
  • '68 is a compilation album by Robert Wyatt. It is composed of previously unreleased demos Wyatt recorded in 1968 at the end of a tour Soft Machine did with the Jimi Hendrix Experience in the United States. It was released by Cuneiform Records in 2013. After the tour, the Experience had given Wyatt access to their recording studios after hours, and he recorded these demos there. Hendrix played bass guitar on one of the recordings, "Slow Walkin' Talk". Some of the tracks were later reworked and used on several Soft Machine and Matching Mole albums.
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  • '68
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all writing
  • Robert Wyatt, except where noted
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  • no
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  • RobertWyatt 68.jpg
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  • 1099.0
  • 1236.0
  • 182.0
  • 2817.0
  • 300.0
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  • Radio Experiment Rome, February 1981
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  • Robert Wyatt
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  • Favourable
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  • B+
title
  • Chelsa
  • Moon in June
  • Rivmic Melodies
  • Slow Walkin' Talk
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  • compilation
has abstract
  • '68 is a compilation album by Robert Wyatt. It is composed of previously unreleased demos Wyatt recorded in 1968 at the end of a tour Soft Machine did with the Jimi Hendrix Experience in the United States. It was released by Cuneiform Records in 2013. After the tour, the Experience had given Wyatt access to their recording studios after hours, and he recorded these demos there. Hendrix played bass guitar on one of the recordings, "Slow Walkin' Talk". Some of the tracks were later reworked and used on several Soft Machine and Matching Mole albums.
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