Der Auftrag (English: The Assignment, subtitled Or, on the Observing of the Observer of the Observers) is a 1986 novella by the Swiss writer Friedrich Dürrenmatt. The first English publication appeared in 1988, translated by Joel Agee. The experimental narrative is divided into twenty-four parts, each one a single sentence spanning many pages. In his foreword to the 2008 English language edition, Theodore Ziolkowski notes that the inspiration for the twenty-four sentence structure came after listening to a recording of Glenn Gould performing the first half of Bach's The Well-Tempered Clavier I, itself a work in twenty-four movements. Inspiration for the plot came from the Austrian poet Ingeborg Bachmann's unfinished novel , which Dürrenmatt's second wife, documentary filmmaker Charlotte Ke
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- The Assignment (Or, on the Observing of the Observer of the Observers)
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| - Der Auftrag (English: The Assignment, subtitled Or, on the Observing of the Observer of the Observers) is a 1986 novella by the Swiss writer Friedrich Dürrenmatt. The first English publication appeared in 1988, translated by Joel Agee. The experimental narrative is divided into twenty-four parts, each one a single sentence spanning many pages. In his foreword to the 2008 English language edition, Theodore Ziolkowski notes that the inspiration for the twenty-four sentence structure came after listening to a recording of Glenn Gould performing the first half of Bach's The Well-Tempered Clavier I, itself a work in twenty-four movements. Inspiration for the plot came from the Austrian poet Ingeborg Bachmann's unfinished novel , which Dürrenmatt's second wife, documentary filmmaker Charlotte Ke
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| - Der Auftrag (English: The Assignment, subtitled Or, on the Observing of the Observer of the Observers) is a 1986 novella by the Swiss writer Friedrich Dürrenmatt. The first English publication appeared in 1988, translated by Joel Agee. The experimental narrative is divided into twenty-four parts, each one a single sentence spanning many pages. In his foreword to the 2008 English language edition, Theodore Ziolkowski notes that the inspiration for the twenty-four sentence structure came after listening to a recording of Glenn Gould performing the first half of Bach's The Well-Tempered Clavier I, itself a work in twenty-four movements. Inspiration for the plot came from the Austrian poet Ingeborg Bachmann's unfinished novel , which Dürrenmatt's second wife, documentary filmmaker Charlotte Kerr, was attempting to turn into a film at the time of their meeting.
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